A couple of weeks ago, Jon, from The Clockwork Manual, sent me an email. What, he asked, do you think about a Grand Theft Auto MMO? In fact, he did more than just ask what I thought. He wrote a post on why it would rock.

If there’s one thing Rockstar can do better than any other developer in the world it’s create a bustling metropolis that feels lived in by the thousands of characters seen roaming the streets. How easy then, would it be to see other players filling the shoes of the people you pass by in the street without a second glance. That taxi driver that dropped you off at your mission marker could be someone on the other side of the world, saving up a little more in-game cash to hire some protection. That hotdog vendor you just paid could be someone else playing a minigame in between missions.

You can read the entire email here, and he’s definitely persuasive. But somehow - I wasn’t convinced. It took me a while to figure out why, but in the end I sent him an email back. Here it is:
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If you’ve been a follower of my posts since my time at Girls Don’t Game, then you probably know by now that rhythm and music games hold a very special place in my heart. With that said, I’ve been a fan of Guitar Hero since I was following the success of Guitar Freaks in Japan. I’d always wished we could have something similar Stateside. And one magical day, I got my wish: Guitar Hero was born.

Mixing some classic rock favorites with more modern hits, Guitar Hero opened up a whole new world of rhythm gaming to American audiences who may have never touched this kind of game before. However, since its inception and the torch passed to Activision, the franchise has gone just a bit downhill. What do I think is wrong with the whole thing, and why? Read on and find out.

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We’ve all been there. We’ve all sat in the lobby listening to some wannabe rapper spouting lines about popping caps in people’s (fill in the blank), or that kid who isn’t even old enough to be in the game to start with. And some of us have even endured hounding from members of the opposite sex hoping to get some pictures or voice chat for their trouble.

Some of them aren’t even interested in getting much gaming done at all. They just want to complain or mess things up for others.

If you haven’t seen them, now you will. They’ve been conveniently collected in one place. For your entertainment: the top ten most annoying online gamers.

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After finally obtaining my Xbox 360 this past May, I was instantly entranced by the achievement system put in place. Having witnessed friends racking up points for their gamerscore, I always knew it was something I’d be quite interested in. With every new game purchase, a door was opened to the potential of a usual 1k of gamerscore to be added to my online persona.

Points? Milestones for completing certain objectives in-game? Genius. However, as time marched on I was introduced to the more ugly, cheap world of the in-game reward system, and the people that inhabited it. As I struggled to complete a game by Xbox Live’s standards, I realized that this would be impossible in a number of ways.

So, achievements–the bane of some gamers’ existence, and the reason some load up the disc tray and even bother signing in. How do I feel about them? Read on to find out, and earn 50 points of gamerscore.

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A couple of weeks back, Jon and I went to logger-heads over the issue of cutscenes. Of course, a topic like this needs to be returned to - and Jon did exactly that in his return email to me. Since I always need to have the last word, naturally I replied.

Jon,

I think, perhaps, we want video games to do different things. You want video games to tell a story. A cohesive story, that follows the rules of characterization and plot. When we read a book, we don’t expect silent and masked protagonists. When we watch a movie, we don’t expect to influence the dialogue on screen.

Video games are - I believe - currently evolving. They balance two different demands, and many times these two demands are completely opposed to each other. The first demand is that of interactive entertainment. Whether that’s racing a timer whilst organising oddly shaped building blocks to stop them building up to the top of the screen - or pitting your spiky-haired warrior against an array of peculiar monsters.

The second demand is narrative. This is the why, the where, the when. I can build stats for the sake of winning, or I can build stats so that I can be better able to take down the evil psychopath threatening to destroy the world. Either way I’m building stats, but with a story wrapped around it I can at least be motivated, or moved.
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It’s inevitable that in the future we’re going to see more Lego titles, because of the previous success that they’ve had. Just look at Lego Star Wars, and most recently, Lego Batman. They take what starts out as a mature, established concept and cute it up with enemies exploding into brick pieces, remove what could be extraneous dialogue and substitute it with adorable mumblings akin to Simlish, and some of the sweetest pantomime I’ve seen on characters since Final Fantasy VII.

I firmly believe that even if you didn’t like the game before, you’d probably find something to like about it now if it’s been turned into Lego, at least if it was a solid title and didn’t rely on the same old tired mechanics as the previous games. And how many movies out there would make awesome transitions? You’re not going to find conventional games on here like the obvious, boring, Mario, Zelda, Halo, Gears of War, and so on here. So, without further ado, I’ve got a sampling here of five games out of the hundreds I could think of that would make great Lego games.

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